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Lesson Subject
  
  Lesson Jam Track
 
  Teacher: Hi guys. Tonight I will recap of one of 
my favorite lessons on intervals
  Teacher: Tonight's concept was presented to me by 
Mike Miller, a great jazz-rock guitarist. Played with Chick Corea, 
Yellowjackets. Pretty rockin and intelligent too.
  Teacher: The jam track is a vamp of A to D, with 
an a bass note throughout. 
Jam Track Riff 
  Teacher: 
Tonight's licks are presented in the key of A major
  A Major 
Scale 
  horse: how do you know Mike 
Miller?
  Teacher: I attend school where he 
taught in L.A.
  Teacher: We will take a familiar scale, 
like the Major, and work through it in interval 
combinations
  Teacher: To review, the distance from a note of 
the scale to the next is called a '2nd' interval.
  Teacher: or from one note of the scale to its 
next closest neighbor
  Teacher: Skipping two notes ahead gives a '3rd' 
interval.
  2nd-2nd Interval 
Pattern (up-up) 
  Teacher: The 
combination we're starting with is going up a 2nd, then another 2nd. Producing a 
three note phrase
  Teacher: This pattern is started on the first 
note of the scale. Then played off the next note and so on up the 
scale
  Teacher: This interval pattern could start an 
octave higher and we could take it down the scale
  2nd-2nd 
Interval Pattern (up-down) 
  corey: 
hmm
  Teacher: Notice I try to use the same fingering. 
But this introduces some combinations that will tend to trip up the 
fingers
  Teacher: We 
could also take our interval pattern and reverse the order of the notes. Up the 
scale...
  2nd-2nd 
Interval Pattern (down-up) 
  Teacher: And finally 
descending pattern, descending through the scale.
  2nd-2nd 
Interval Pattern (down-down) 
  Teacher: 
This is a popular 'sequence' you may have heard many 
times
  Teacher: So try to workout the upcoming patterns 
these four ways.
  jarquiette: those 9 - 5 's are quiete a 
stretch
  Teacher: Hurts so good. And they look great in 
pictures!
  Connelly: Very 
True
  horse: 
lol
  Teacher: 1. Intervals going up, line going 
up
  Teacher: 2. Intervals going up, line going 
down
  Teacher: 3. Intervals going down, line going 
up
  Teacher: 4. Intervals going down, line going 
down
  Mike: I 
like the down up pattern
  Teacher: Lets get more stetches and a more open 
sound with wider intervals.
  Connelly: Sounds Great
  Teacher: This time we keep the 2nd interval to 
start, but then jump up a 3rd. Goes like this 
  2nd-3rd Interval 
Pattern 
  Teacher: 
OK.
  Mike: This looks like an 
arpeggio to me 
  Teacher: Some of the patterns end up outlining 
chords. And there will be a similar sound at times to an 
arpeggio.
  Teacher: 
Hang with the idea. You will see some totally new patterns. Remember to work 
these out in all four patterns. 
  Teacher: Now a 2nd + a 
4th
  2nd-4th Interval 
Pattern 
  Teacher: These 
introduce some tricky fingering combinations. Part of the usefulness of working 
these out
  Teacher: Or how about next. A 2nd + 5th 
combo
  2nd-5th 
Interval Pattern 
  Teacher: 
A 2nd + a 6th
  2nd-6th Interval Pattern 
  Teacher: 
2nd + 7th anyone?
  2nd-7th Interval Pattern 
  Mike: Wow your 
covering a lot of ground
  pagefan: Go for 
it!
  Mike: String 
skips, I love it
  Teacher: Alright. 8ths are 
enough.
  2nd-8th 
Interval Pattern 
  pagefan: What? No 
9ths?
  Teacher: Well, how about let's change the 
starting interval.
  3rd-2nd Interval Pattern 
  Teacher: 
You could go higher if you dare... 
Teacher: But now we could work 
out to 3rd+3rds. 3rds+4ths
  jarquiette: What's the primary application for 
these?
  Teacher: It 
has a couple of useful applications
  Teacher: First it is a new way to think of note 
patterns or 'sequences'.
  Teacher: Next, these will lend a more 'open' 
sound to your playing. Less scalar
  Teacher: And if you think you can blaze through 
your major scales at 200 BPM on the metronome try working out to some of these 
patterns
  Mike: I 
tend to rut in scale patterns so this is useful
  jarquiette: I can definately use that - my soloing tends 
to sound scaley
  Teacher: Try working these up to triplets to the 
jam track. About 100 Beats Per Minute
  Teacher: What we might end up with is a chart 
that looks like this
  Mike: This is an awsome way to 
learn.
  Interval 
Patterns Table
  
  Teacher: We worked through the top row of 2nd 
interval patterns. 2nd+2nd, 2nd+3rd, and so on. 8va means 
octave.
  Teacher: Now 
try the 3rds row. Try a new one or two each day. 
  Teacher: 
all four ways of working the pattern. Especially the one that seems more 
difficult.
  Teacher: 
And the ones you like the sound of
  Teacher: Then work out other scales with the same 
ideas. Another good choice for the jam 
track
  A Mixolydian 
Mode 
  Teacher: 
Great. Got to run. Have fun. Take it a little at a time.
  Connelly: 
Thanks For the help
  Stratman: great
  Mike: Thanks, will go to the archive and use the jam 
tracks on this.
 
  
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