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			Joe Pass Bio |  |  
            | Joe Pass (1929-1994) has been rightfully called "the president of bebop
            guitar." His efforts represented a gigantic step forward in the evolution of the
            instrument. With Pass the fluid lines and advanced harmonic concepts of sax players like
            Charlie Parker and John Coltrane as well as pianists such as Oscar Peterson, Art Tatum and
            Bill Evans crystallized into a powerful and potent guitar approach. Early in his career he
            was the consummate bop musician, astonishing listeners with fleet and innovative
            single-note melodies. By the end of his life the virtuoso had carved out his own unique
            musical niche, improvised jazz guitar as chamber music, with a breathtakingly beautiful
            solo guitar style.
 
 Joe Pass with Gibson ES 175D
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            The Joe Pass Sound 
              
                | Joe Pass, "Django 1" 
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                | Joe Pass, "Django 2"
 
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| SELECTED BIBLIOGRAPHY 
  Joe Pass Guitar Style. Written by Joe Pass
    and Bill Thrasher.  Joe Pass Guitar Solos. By Joe Pass. Joe Pass Chord Solos. By Joe Pass.
 Joe Pass Guitar ChordsBook 1. By Joe
    Pass.  All from Gwyn Publishing Company.  These books from the early 1970s are
    definitive documents of Pass guitar style.  Guitar Solos concentrates on many
    of his superb Pacific Jazz single-note solos including "Django,"
    "C.E.D.," "Forward Pass," and "What A Shame." Guitar Chords
    and Guitar Style are tutorial volumes which shed light on Joes approach to harmony
    and improvising. Chord Solos is a fine collection of Pass Virtuoso-style
    chord-melody pieces.  Jazz Duets. By Joe Pass and Herb Ellis. Gwyn Publishing Co.
 This interesting book from 1973 features
    two-part jazz counterpoint pieces from the Joe Pass-Herb Ellis pairing.    |  
| SELECTED DISCOGRAPHY 
  Joe Pass - The Best of Joe Pass Pacific Jazz 7243 8 54944 2 0
 A superb 1997 collection of Pass
    earliest recorded work from the Pacific Jazz period, 1961-1964. Especially worth checking
    out are the cuts from Sounds of Synanon, Catch Me and For Django. Perhaps Pacific Jazz
    will see fit to release these three albums in their entirety.  Joe Pass - Joy Spring Pacific Jazz 7243 8 35222 2 4
 A wonderful and rare live bebop set from the
    For Django period of 1964. This 1995 reissue is currently the only available live
    recording of early Joe Pass; which makes it worth owning for that reason alone.  Virtuoso, Virtuoso-Vol.2, Virtuoso-Vol.4 and
    Virtuoso-Live! All on Pablo Records
 Appropriately named, these solo performances
    defined the improvised chamber music of Pass jazz style.    |  |  |  |