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Wolf Marshall >> Best of Jazz Guitar >>

                          ST THOMAS


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1 Table of Contents
3 Preface
4 Axology
6 The Recording
6 Discography
8 ST THOMAS
15
21
27 ALL BLUES
35
39
42
47
57 ALL THE THINGS...
63 HONEYSUCKLE
71
76
79 SATIN DOLL
86
92
95
102
108 MISTY
111
121
128 I'LL REMEMBER...
133
142 HOW INSENSITIVE
151
158 Notation Legand
 

TAL FARLOW - ST. THOMAS INFO


Personnel: Trio. Tal Farlow, guitar; Tommy Flanagan, piano; Gary 
Mazzaroppi, bass.
Recorded: January, 1981, at Soundmixers, New York City.
Arrangement: Farlow's version is also in the standard key of C. The drummer-less guitar-piano-bass trio is a format Farlow frequently exploited in his career. The head is a straight reading of the melody in A and B. Farlow then takes five improvised solo choruses in C, D, E, F, and G.
Signatures: The long strings of single-note lines found throughout this solo are unmistakable Tal Farlow. Farlow, with his fine technique and keen harmonic sense, was one of the earliest guitarists to play long complex lines of this type. His most telling melodies embody a mixture of Charlie Christian swing melodies and bebop horn phrases, and occur in measures 41-45, 51-56, 70-77, 86-92, and 104-111. Farlow's bop lines are complemented by groove riffs in measures 33-37, 64-68, and 96-98, and an occasional vintage swing/blues lick; the latter in no doubt a vestige of his Charlie Christian influence.
 

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